The harm inflicted – presumably by Diana – on Sophie’s children prompts audience members to consider if Diana is actually real or if Sophie herself is abusing her children.īy weaving this social commentary into the film, writer Eric Heisserer makes the characters more relatable than most that appear in the horror genre. This makes Diana stronger, hurting Martin and Sophie. ![]() Martin’s compassion for his mother never wavers, but Rebecca’s initial willingness to abandon her mother only makes Sophie’s depression worse. Not content to exclusively torture Sophie, Diana persistently haunts Martin and Rebecca. By illustrating the physical struggle between a family and depression, the film shows, in an exaggerated manner, what depressed people and their families face. In a real-life context, however, Diana is a figurative representation of Sophie’s inner demons and depression. In the film, Diana appears to be capable of causing physical harm to people. Rebecca and Martin, with assistance from Rebecca’s boyfriend Bret (Alexander DiPersia), mend their family bond as they try to help Sophie overcome her depression and Diana. The creature’s name is Diana (Alicia Vela-Bailey) and she haunts Sophie when Sophie is at her worst – the kind of imaginary friend you don’t want hanging around. After his father’s mysterious death, Martin has to confront a demonic entity that follows his mentally unstable mother. ![]() “Lights Out” follows a broken family, Rebecca (Teresa Palmer), a fiercely independent 20-something, her little half-brother, Martin (Gabriel Bateman) and their mother, Sophie (Maria Bello), who has been battling depression. With acclaimed producer James Wan (director of “The Conjuring” and “Furious 7”) helming the project, “Lights Out” goes deeper than an average summer thriller, carrying a meaningful storyline and high-wattage scares. At first glance, the concept seems relatively mundane, but “Lights Out” explores more than a light switch, tackling themes like mental illness and domestic abuse.
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